I have a Midi/I2C track on track 8. I use it only with the drum matrix view. But when I switch to a pattern on another track and then back to the one on track 8, doesn’t show the drum matrix page. Instead it shows the first page. If I remember correctly, with the trigger expander (which I no longer have), a pattern remembered the fact that it was on the drum matrix, right?

Hi,


I wanted to ask if there is an option to activate the screensaver while
* the sequencer is in "playing"-state AND
* there has not been a clock-trigger for N seconds/minutes.

(or similar).


I use another module as my main clock and I like to keep the nerdseq on "play" while I patch other things with my main-clock stopped. Sometimes for hours because I get interrupted  or carried away

Thanks!

Quote:mostly because the graphics part is eating up all processor time and the sequence itself would have a very poor stability.

As I posted in the facebook group, it would be great if it was possible to optionally automatically start a project when loaded, for smoother transitions between songs. This could either be a per-project setting or a global setting.

This doesn't matter if there's a split second where the clock is stopped, what's important is that when this setting is on and the user clicks on load, it waits for the 0-cross of the main clock, loads the project, and starts the first row of the sequencer.

Mapping files are placed in the project folder.

Mappings can be imported in the mapping screen. Press SHIFT+NERD to get into the Nerd Menu and from there you can choose to import and export mapings.
It will overwrite all your mapping rows. Also variables are included in the mapping exports.
Please be sure that your NerdSEQ firmware version uses at least the mentioned firmware version for the mapping or newer.

If you post your mapping, it might be nice to add some little information like made with Firmware xx, maybe some info about the variables so people know directly which varibales are worth to manipulate. Also maybe also all in and outputs.

A tool is coming up which lets you export a mapping also into a readable format which could be pasted here easily (and much more planned). No one expects you to explain every line and what it does, but it would be very welcome if you would do. I try also to explain as much as possible so more and more people understand the power and make their own mappings and share them!

I was wondering if this is a bug or expected behaviour...
Let's say I want to have the first note in my pattern (at position 00) to go an octave up, 50% of the time. 
- I'll set the basenote to 00C in fx1 column (one octave up)
- set PRF1 to 032 in fx2 column (50% probability)

And then on the next note
- set basenote to 000 and PRF1 to 064 (reset basenote and probability)

It seems that the probability will only work when it is set on a row BEFORE the note is triggered. So in this case I'll have to set the 50% probability in the last row of the pattern. Is that the correct way?

The Turing Machine V1.  Works with V2.0C

  TURING1.MAP (Size: 1,47 KB / Downloads: 84)  

This V1 got only the left shift option. Sounds best with any global scale enabled.
It uses the CV Input as 'switches' where 0 Volt means switch OFF another value means switch ON.
CV Input 1 : Set bit 0
CV Input 2 : Reset bit 0
CV Input 3 : Invert bit 0
CV Input 4 : Random bit 0
Of course you can replace the CV inputs with any other source easily.
If you got a trigger expander then you can see the turing parts nicely on Triggers 1-12.
You can use variables C, G and H to change some turing settings (see variables below)

The turing machine is connected to the sequencer and starts if the sequencer is started.
Var A: Switch/CV Input threshold (Initialized)
Var B: Type of trigger (Initialized w Trigger E1)
Var C: Amount of used turing bits
Var D: Helper variable for calculation (Initialized)
Var E: Used for program flow
Var F: Variable to hold the turing bits
Var G: Multiplicator for turing output (if less bits are used to get the full range anyways)
Var H: Pitch Offset

Here is the bouncing ball. Started by executing Row 01 (SHIFT+OK on 01) or the XMAP FX. Works with V2.0C

  BOUNCE1.MAP (Size: 1,47 KB / Downloads: 49)

Variable A: Width = Amount of notes
Variable B: Helpcounter to create the 'timebase'
Variable C: Tempo
Variable D: Note Offset
Variable E: Helpcounter
Variable F: Type of Trigger

OK, this is super-minor: when changing the scale with a mapping (e.g. by using a CV input for this), then in the name of the scale doesn’t update in the ‘project’ page nor in the ‘project -> scale’ page. It does update when moving the cursor in the project -> scale page, but not otherwise.

Hi,

Not sure if this function was available in v1.27 but it really worked at considerably improving my workflow with v2.0. I am from an old school method of composition, and my experience using an external controller to record triggers and cv was basically cubase, which, to the best of my recollection, required you to change the midi channel number on the controller in order to record on the adequate Cubase track. It was not much of an issue, but this time I'm using the Korg SQ1. This controller requires to be turned off in order to change the midi channel. And going to that global mode also changes other internal presets and this is not really an option.

This is when I stumbled onto the midi in > record selected channel. This really changed the game with my rigg, I can now write very fast.

https://photos.app.goo.gl/Zd9S1meX6zKqhXbR6

Thing is, it does not work the same way with track 7 and 8. I have multiple one shot drum samples on them, and aware that they have 2 patterns in each. What happened is that it doesn't want to play anything at all. It seems that instead of notes, we have note off info and everything will be set to 0, even though it's recording.

Is there a part of the manual where this is examined clearly? My gates via midi from SQ1 are positive, and CV are -5v/+5v

I also have another question, is there a way to stop the record mode from the sequencer screen with a shortcut? I think not.. As this routing is somehow dangerous if you have dancers.

Many thanks

When outputting MIDI notes from a mapping with

AUTM  SLT1  ---  >  MIDI  TC 4  NOTE

and a global or track-local scale applied, it does not quantize the notes correctly according to the scale. I does 'something', i.e. it doesn't play all the notes from the chromatic scale, but not correctly.
When doing the same, but with CV out (e.g. CV  NOTE  CV 1), the quantization is correct.

I attached a project (slow LFO into MIDI channel 4)

Attached Files

  MIDISCAL.NRD (Size: 438,5 KB / Downloads: 1)