I know this might sound weird, but would it be possible to have an option that disables the continuous clock output (Settings clock output Y/N) and the reset output? Since I can use SPFX to pulse, reset, set both the Reset and the Clock outputs, I would like to take advantage of those outputs without the continuous clock ticking. It would allow me to decide when and where I want to clock other devices, using SPFX, without having to lose any of the gate or expander outputs.
Just a small idea that should be easy to do, I hope.
I'm making progress w/r to shaping the trigger/gates of the CV16 to my liking.
I now have the following problem or at least unexpected behaviour:
I currently mostly use ^40 (envelope 4 as AR envelope) for my notes and with proper settings for Attack and Release that sounds ok and looks fine on my scope. I also have a couple of ^46 spread where there were longer notes that I wanted to end at the time I placed the ^46.
What I see on the scope and also hear is that the ^46 creates a short spike/trigger although the envelope is already at 0. That is unexpected as I had expected ^x6 essentially ends/stops the current modulator (in case of an envelope sends it to 0).
Is there a reason for this spike/trigger or is that a bug?
With 16th notes on CV16 tracks I don't know of a proper way to control the length of the gate for the envelopes as there is essentially just a single field to enter the envelope. A>R (i.e. ^x0) gives a very short gate while A>S (i.e. ^x1) results in a gate essentially the whole 16th note long. Is there a way to have the gate e.g. a 32th note long? Or generally end the gate a (configurable) number of ticks before the end of the note?
Or is this feature request material?
Kind regards,
Michael
PS: I'm aware I could achieve that by (temporarily) doubling the speed of the track and thus have 2 steps/rows per 16th which would allow for more detailed control for 16th, but that
seems a waste of patterns
requires additional attention to keep patterns in synch over various tracks
would then create the same problem for 32th notes (should I want to use them)
The CV16 envelopes are fine for many of my use cases. However occasionally I wish to use an external ADSR that I'd like to trigger. In some cases I can use the envelopes, namely A>R (i.e. ^x0, x == 1..8) but I found that does not reliably work with all my ADSRs. While Doepfer A-140 and A-143-2 work fine (mostly), 2hp Pluck does not (most of the time).
Is there a way to create proper trigger on CV16 and how?
Or is this feature request material?
I have a pattern on a CV16 track. 40 (aka 64) steps long. I place the cursor in row 00, column 1 (top leftmost) and hit SHIFT+MARK. Now I move the cursor to row 2F, column 6 (3rd page, bottom right) and hit SHIFT+UP+DELETE.
My expectation is now the content of former rows 30-3F is in rows 00-0F and the rows 10-3F are empty.
What I find is that there is content in 00-0F (haven't checked carefully if it actually is from formerly 30-3F) and there also is content in 10-2F. 30-3F were empty in my test.
Am I doing something silly/stupid or is there a problem with SHIFT+UP+DELETE in CV16 patterns?
Kind regards.
Michael
PS: I have a work around in that I SHIFT+MARK all the rows 30-3F, hit SHIFT+MARK again, move to row 00, column 1 and hit SHIFT+COPY and then delete rows 10-3F. But that is less comfortable.
I made two modular sequences only using triggers 3-6 (via effects) for drums. No 2 was a copy. Then I deleted an effect lane (hihats on trigger 3) on the first pattern in the sequence. When playing with START it plays fine. If using SHIFT+START it plays the deleted part as if it wasn't deleted. I then tried deleting and compacting the sequence with the hihats, saved and turned off and on the power (its on "auto load" if that matters). Then if I make two rows of the remaining sequence, it plays fine if I only hit START on that track. But if I hit SHIFT+START, it starts playing the deleted pattern and then plays the next row correct.
I have attached the project "NERD1" and my settings. Its track 3 wich causes the problem.
I see now the triggers are in track 1. I may have made a mistake earlier and entered those triggers in the wrong pattern.
At least it can be solved by removing them from there.
Hi! When I try entering notes via MIDI to a MIDI track, whether via the step input or via recording MIDI, a note off value gets added after the original note. Even if I shift the note off location the note off behavior doesn't change.
Steps to reproduce:
1. Enable step recording for MIDI
2. Add a MIDI note onto a MIDI track and see that a note off gets added on the next step
3. Use the Shift+Down+Delete shortcut to move the note off further down
4. Start playback and hear that note gets cut off right after note start as if note off was never moved
1. Enable note recording for MIDI
2. Start recording and play a MIDI note onto a MIDI track and see that a note off gets added when releasing the controller key
3. Use the Shift+Down+Delete shortcut to move the note off further down
4. Start playback and hear that note gets cut off at the original recorded note off position as if note off was never moved
Is anybody else able to reproduce this behavior? Is there some setup that I'm missing? I'm on V1.24
Might be an issue with MIDI note offs?
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