Hi all,
I am trying to set up my nerdseq as master (I have the Multi-IO) and my digitone 2 as a slave. I want to send clock and transport from the nerdseq to the digitone, but the digitone does not react on the start/stop from the nerdseq.

The settings on digitone are quite simple, as there are only send and receive options. All receive options are marked as "yes".

I have connected the TRS-A out to the digitones midi in. I think my problem lies in mu nerdseq settings - but can't get my head around how it should be set up in the menues. Tried looking at the manual, but did not find anything related to this.

Does someone have experience with this and can help out?

Thanks a mil,
/tobias

Would it be possible to add a BRK command in the drummatrix? If so, we could use different euclidean pattern lengths for each output, making it far more easy to generate polymetric patterns. As indicated in the manual, at the moment euclidean function is set to calculate using pattern length, but enabling the above request could open up the euclidean functionality even more.

(09-05-2025, 09:13 AM)XORadmin Wrote:

(09-05-2025, 08:41 AM)DriesG Wrote: Not sure if this is V3.0RC2 related. 
Had a problem with CV16 outs 1 and 9 connected to NSA-3, Running cv16 fw 1.2. Outs 1 and 9 are unresponsive.
Switched to NSA-1 and all is working perfectly now.

Can you repeat the issue and tell me how do you output exactly, like how did you set it up and do you output from the pattern or mapping, pitches, notes or lfo/envelope? Is it maybe possible that the switch on the front was just not exactly in position since it affected outputs 1 and 9 (did other outputs work well?)
Is it possible that you tried to output notes/pitches but envelopes/lfos have been active on these outputs but 'pure overrule' is not enabled?

---

In short: only when CV16 is set to NSA-1 and Trigger16 set to NSA-3, I got it all working perfectly. Received the Trigger16 since, but it made no difference to the issue with CV16 outs 1 and 9.

I replicated the issue using this procedure:

Starting setup:

MIDI: multi io
NSA 1: Trigger 16 (v1.0)
NSA 2: open
NSA 3: CV16 (v1.2)
NSA 4: video (v3.0)

Create new project. Assign track to CV16 (any track). Input pitches, destination set to ext CV 1. Hit play. No voltage.

Trying all destinations: no output on CV1 and 9.

Setting switch to uni- or bipolar has no influence apart from expected offset. Enabling pure has no influence.

- Quit NS, set CV16 jumper to NSA2. Reboot NS. On detecting expanders, NS indicates NSA1 trigger16, but both NSA2 and 3 indicate CV16.

- Repeated above procedure: same problem (no voltage on CV16 outs 1 and 9, every other output works normal).

- Reboot NS holding SHIFT: no change in double CV16 NSA detection (still on both NSA2 and 3).

- Unplugged trigger16 and CV16, reboot: NS shows NSA1, 2 and 3 open, video on 4.

- Re-connected trigger16 (NSA1) and CV16 (NSA2). Reboot. NS shows Trigger16 on NSA1, but CV16 again on NSA 2 and 3.

- Quit, unplug trigger16 and CV16, reboot: NSA scan ok.

- Set Trigger16 to NSA-1, CV16 to NSA-2. Quit NS, plug, reboot: NSA-scan indicates both expanders. Still no voltage on CV16 1 and 9.

- Quit, unplug, reboot with only CV16 connected set to NSA-1: all outputs working perfect.

- Quit, CV16 NSA-1, add Trigger16 (NSA-2), reboot. Again same issue with outs 1 and 9 on CV16.

- Quit, CV16 at NSA-1, adding Trigger16 to NSA-3. Reboot. BAM! Everything works.

Hope this helps. Cheers

I'd be interested in a feature where a .scl file stored on the sd drive could be used for quantization. Any chance for such a feature?

Hey guys, I'm having quite a specific problem and I'm not sure I'm managing it in the right way.

I have a Behringer Model 15 semi-modular synth that I'm using for bass, but when I use the offset switch in the right position - which I understand it is for notes - C1 is not quite as low a pitch on the synth as I would actually like it to be. There's a finetune on the synth itself, but nothing to, like, offset it an entire octave lower or something like that.

My current workaround is setting the offset switch to the left, which leaves me plenty of headroom, although I have to start my other eurorack modules that want pitch at C5-C6-ish which just seems like it's not the way I should be doing things.

I understand that the offset is an actual hardware switch, so I can't actually just offset track one, but is there anything obvious that I'm missing here?

Ok so to narrow down if this is indeed a calibration issue I created a table for each of the CV output channels (columns) for the lower 4 and upper four octaves. These are the results. The first number (only recorded for the lower octaves) shows the current CV value (noted from current values screen) and the second number shows the midi note registered by uTune. 

Clearly, the CV values are off for track 1. Does this confirm that it is a calibration issue?

Interestingly, CV out track 1 "recovers" in the last two octaves whereas CV out track 4 performs great for the first 7 octaves but falters at the 7th octave. Are these calibrated separately somehow?

There's an option to choose between sharp or flat notes view, which I think is great. 

Would it be possible to add this option to the scales screen?

Is it possible to add a mapping command to fire a simple trigger pulse on a CV16 channel via the mapping matrix?  Similar to how you can fire the envelopes using EV1O with the destination being NSA 1-4 and output 1-16

But instead just use the new built in TT8 command for a 40ms trigger pulse, to the output of my choice.

This would mean that a) I don't have to use all my CV16 envelopes up - I'm assuming that if you triggered the same envelope more than once you'd reset whichever instance fired first and only get the full 40ms from whichever fired last. and b) I wouldn't have to initialize a track for the CV16 necessarily because I wouldn't have to configure the expander's envelopes.

Does that make sense?  Is it even possible with the hardware?  I realize it's a bit of an edge case feature..

Hiya
There is a similar issue here (track clock setting bug), but I don't think they're completely the same.

When I use CC to modulate the pattern order on a non-playing track, it affects the pattern order on the other tracks. 
It also makes the little line for the playhead on each track in the top of the SEQ screen, escape it's little numbered box and continue onwards in the area below.

Here's a little rambly video of what I mean.

Cheers

I have the CVM-8 setup with eight additional inputs and I'd like to have additional tracks setup for recording using pitch/gate inputs. This can currently be set in the record/live menu but only for the four standard inputs on the NerdSeq, equating to two record tracks.

Is it possible to record pitch/gate thats coming in thru the CVM-8? Since the CVM-8 has eight inputs, this would open up four additional recording tracks?